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Note: This image may be digitally watermarked, but the electronic watermark does not appear on the actual print. Guaranteed authentic original antique print. Certificate of authenticity available at no extra charge upon request.
Beer Street and Gin Lane | |||||||
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Negligence, poverty and death in London Hogarth claimed that these prints were 'calculated to reform some reigning Vices peculiar to the lower Class of People.' They were published in support of a campaign directed against gin drinking among London's poor. Consumption of cheap spirits by the poor had soared in the early eighteenth century, with dire social consequences. The campaign was led by Hogarth's friend, the novelist Henry Fielding (1707-54), who was chief magistrate for Westminster from 1749 to 1754. It was successful: an act against gin was passed later in 1751. This prevented retail sale of gin by the shops that sold normal household necessities, and was effective in curbing the evils of spirit drinking. Beer Street celebrates the virtues of the mildly intoxicating traditional national drink. Beer inspires artists and refreshes tradesmen and labourers. It can be drunk safely on rooftops. The newfangled foreign spirit gin, however, inspires violence and careless inebriation. A gin-sodden mother is oblivious to her child's fall. Addiction to spirits leads to negligence, poverty and death. The verses were written by Hogarth's friend James Towneley to make plain the meaning of the images. The prints were too expensive for the urban poor, but would have been within the means of the middle-class electorate. The horrors of Gin Lane provided imagery for propaganda against alcohol for another hundred years. References: British Museum R. Paulson, Hogarths graphic works, 3rd edition (London, The Print Room, 1989) D. Bindman, Hogarth and his times: serious, exh. cat. (London, The British Museum Press, 1997) M. Hallett, The spectacle of difference: g (New Haven and London, Yale University Press, 1999) R. Paulson, Hogarth, vol 2 (Cambridge, Lutterworth, 1991-93) |
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We grade the condition of our Prints and Ads as follows:
- Fine
- VG+
- VG
- VG-
- Good
- Poor
Fine: We use this designation very rarely, as it suggests that the print or ad is flawless and in essentially perfect original condition. To earn this grade, the print or ad must be a beautiful example with no flaws. (Please refer to main image for a closer look, as it is the exact print that you will receive.)
VG+: This grade means that the print or ad has only the most minor defects, such as a small amount of marginal soiling or foxing, not affecting the image. Any defects would be completely hidden once matted. (Please refer to main image for a closer look, as it is the exact print that you will receive.)
VG: This grade means that the print or ad has minor defects, which may range from minor soiling or foxing to a very minor tear, none of which pertrude into the image itself. Any defects would be completely hidden once matted. (Please refer to main image for a closer look, as it is the exact print that you will receive.)
VG-: This grade means that there is relatively significant staining, soiling, foxing etc. Most of the imperfections would be hidden once matted. The print or ad is all present and still in a collectible condition. (Please refer to main image for a closer look, as it is the exact print that you will receive.)
Good: This grade means that there is significant soiling, foxing, creasing or water damage, which pertrudes into the image itself, but still worthy of consideration for a collector. We infrequently offer a print or ad in such condition, unless it is a highly desirable print or ad. (Please refer to main image for a closer look, as it is the exact print that you will receive.)
Poor: This grade means that there is significant imperfections or other factors which significantly detract from the print or ad. We rarely offer prints or ads in poor condition, unless it is extremely rare and collectible. (Please refer to main image for a closer look, as it is the exact print that you will receive.)
MATTING INFO.
➤ Mats are 100% Archival | Museum Quality | Conservation Grade
➤ Foam Backing Boards and hinging tape are Acid Free and Lignin Free.
➤ Available in Antique White or Charcoal Black.
➤ All Prints are Professionally Mounted and Matted by our professional staff.
All of our antique or vintage prints and advertisements are guaranteed to be authentic items, sourced from an antique book, magazine, periodical or such, on or about the date shown in the description. Certificates of Authenticity are available upon request. Simply mention your desire to receive one in the Notes Section during checkout.
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